Ph.D. Huang Chin-Fu

 

Surname :

Huang

First name :

Chin Fu

Gender :

Male

Nationality :

Taiwan, China

Profession :

Artist, Curator

Date of birth :

10/06/1969

Address :

5F-1, No. 367, Gongyuan S.Rd., North Dist, Tainan City 704, Taiwan (R.O.C.)

Area code :

704

City :

Tainan

Country :

Taiwan

Phone number :

886-6-2237688

Mobile :

886-987925236

Email :

tf0016@mail.tut.edu.tw  (Taiwan)  afu2151179@yahoo.es (Spain)

Web Site:

https://ljjs1314.webnode.tw/
         

 

Education and Academic Experiences

1992   BFA, Department of Fine Arts, Tunghai University

1994   Executive Editor, Hot Art Monthly

1995   Person in Charge of Tainan Contemporary Painting Studio; Contributing Writer in Tainan to Hot Art Monthly

1996   Coordinator, New Art Space, Tainan

1998   The Vermont Studio Center Freeman Fellowship, USA

2001   MFA, Department of Fine Arts, Tunghai University

2002   Adjunct Lecturer, Department of Fine Arts, Tainan Woman's College of Arts and Technology

2003   Studied in Spain

2007   Ph.D. Candidate in Contemporary Art Studies, Universidad de Castilla-La Mancha, Spain (DEA)

2011   Lecturer, Department of Fine Arts, Tainan University of Technology

2012   Ph.D. in Contemporary Art Studies, Universidad de Castilla-La Mancha, Spain

Assistant Professor, Department and Master Program of Fine Arts, Tainan University of Technology

 

Solo Exhibitions

1992   A-Fu Human Body Sketch Exhibition. Tunghai University Gallery, Taichung, Taiwan

1998   A Traveler Reaching a Beautiful City—A-Fu Solo Exhibition. New Art Space, Tainan, Taiwan

1998   The Butterfly's Dream. The Vermont Studio Center, Vermont, USA

1999   About the Space II—A-Fu Solo Exhibition. Wu's Garden, Tainan, Taiwan

2000   One Beer Costs NT$500—A-Fu Solo Exhibition. Art Pub Gallery, Taichung, Taiwan

2001   The Flaneur—A-Fu Solo Exhibition. Tunghai University Art Center, Taichung, Taiwan

2003   Chaos Underworld—A-Fu Solo Exhibition. SinPinPier–Absolutely Art Space, Kaohsiung, Taiwan

2016   Spectacular City Story: The Research About "Photo-montage with Painting"—Huang Chin Fu Solo Exhibition. Haohaus, Taipei, Taiwan

2017   Spectacular City Story: The changing image of the world—Huang Chin Fu Solo Exhibition. Licence Art Gallery, Tainan, Taiwan

  

Group Exhibitions

1992   Object. IT Park, Taipei, Taiwan

1994   Culturalize Love Canal Photography Series; Bodies of the Studio Photography Series. Hot Art Monthly, Kaohsiung, Taiwan

1996   The 1st Taipei County Ceramic Art Exhibition. Taipei County Cultural Center, Taipei, Taiwan

       Tainan–Phenomenon. Wu's Garden, Tainan, Taiwan

1997   The 14th Kaohsiung Award Exhibition. Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan

       Open Exhibition. Wu's Garden, Tainan, Taiwan

1998   Radius and Boundary—Prototype Gallery Opening Exhibition. Prototype Gallery, Tainan, Taiwan

       Voyage: 1998 Art Festival of Tainan. Dimension Endowment of Art, Tainan, Taiwan

       Making Wave—A Tale of Two Cities. Interchange of Contemporary Art Between Tainan and Boston, Tainan, Taiwan

2000   Art Prototype. Prototype Gallery, Tainan, Taiwan

2014   Exhibition of Artists from Previous Residency Program: 2014. Shangyuan Art Museum, Beijing, China

       YES, TAIWAN: 2014 Taiwan Biennial. National Taiwan Museum of Fine Arts, Taichung, Taiwan

2015   To Think Fondly of City Stories. Aglow Space, Tainan, Taiwan

2016   Yue Jin Lantern Festival (Landipass Fly, an artwork for the Lantern Section by the Highway 18-2 Circular Pond). Tainan, Taiwan

       Transition of Times—20 Years of Kaohsiung Awards. Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan

 

Residency Experiences

1998   A Butterfly's Dream, The Vermont Studio Center, USA

2014   The 7th International Residency Program, Shangyuan Art Museum, Beijing, China

       International Artist Residency, Inside-Out Art Museum, Beijing, China

 

Curatorial Experiences

1996  Tainan Film Festival (Curator). New Art Space, Tainan, Taiwan

1997  A Tale of Two Cities—Interchange Program of Contemporary Art Between Tainan and Boston (Assistant curator), Tainan, Taiwan; Boston, USA

Environmental Art Festival—Thoughts about the Canal (Curator). New Art Space, Tainan, Taiwan

Phoenix 1000—Reconstructing the City of Phoenix (Assistant curator). Tainan 21st Century Urban Development Association, New Art Space, Tainan, Taiwan

1999  About the Space I—Space Graffiti (Curator). Wu's Garden, Tainan, Taiwan

2015  To Think Fondly of City Stories (Curator). Aglow Space, Tainan, Taiwan

 

Grants and Awards

1996   Innovative Ceramics Prize, The 1st Taipei County Ceramic Art Exhibition, Taipei, Taiwan

1997   First Prize, The 14th Kaohsiung Award Art Exhibition, Kaohsiung, Taiwan

1997   2nd Term Exhibition Grant, National Culture and Arts Foundation, Taipei, Taiwan

1998   The Vermont Studio Center Freeman Fellowship, The Vermont Studio Center, USA

1998   2nd Term Artist Grant, National Culture and Arts Foundation, Taipei, Taiwan

2016   Landipass Fly (An artwork for the Lantern Section by the Highway 18-2 Circular Pond), Yue Jin Lantern Festival, Tainan, Taiwan

 

Collection

1997   The Incomprehensible Cranial Nerve, Kaohsiung Museum of Fine Arts

1998   Trace of the Change from Green to Gray-3, Kaohsiung Museum of Fine Arts

 

Speech

Nov. 8, 2009   "The Documentary Process of the Aesthetics of Photographic Image—Exhibition Forms of Contemporary Documents." Graduate Institute of Interdisciplinary Art, National Kaohsiung Normal University

 

Academic Seminars

May 29, 2012 "Creation and Realization, Art and Reality." Project Co-host, 2012 Tainan University of Technology Artistic Creation Seminar

May 15, 2013 "Document Aesthetics: A Debate between Documentation and Art." Published paper.

       2013 Visual Art Academic Seminar, Department of Fine Arts, College of Arts, National University of Tainan

Nov. 20, 2015 "An Interdisciplinary Exploration of Photographic Documents—From Documentary Photography to Public Image in Contemporary Interdisciplinary Art." Published paper.

       Revisiting the Publicness of Art: A Seminar After "Everybody is an Artist." Graduate Institute of Interdisciplinary Art, National Kaohsiung Normal University

 

Lecture Planning Experiences

Dec. 21, 2012 "Pioneer in Interdisciplinary Art in Taiwan—A Lecture by Lu Ming-Te." Interdisciplinary Realization and Exploration in Interdisciplinary Art

May 1, 2013 "Contemporary Art Curator Lecture Series 1—Sean C.S. Hu."        The Diverse and Expansive Interdisciplinary Field: Curatorial Ideal and Realization in Contemporary Art

May 8, 2013 "Contemporary Art Curator Lecture Series 2—Ming Turner." Curatorial Theorization in Interdisciplinary Art

       2011-2012 Beautiful Life: Memory and Nostalgia—Planning and Introduction to Three Touring Exhibitions in the UK and Taiwan

May 22, 2013 "Contemporary Art Curator Lecture Series 2—Amy Huei-hwa Cheng" Curating Exhibition as a Platform for Public Communication and Knowledge Production: Taking a Few Curatorial Projects as Examples

 

 

Artist Biography and Professional Experiences

   

With pen names, A-Fu (1997-2003) and Huang Chin-Fu (2008-), Huang Chin-Fu has published many works and articles. Graduated from the Department of Fine Arts, Tunghai University in 1992, Huang obtained his MFA from the same university in 2001, and later, continued his study in Spain in September, 2002. In 2007, he received his Diploma of Profound Studies (DEA) with notable grades and acquired the status of Ph.D. Candidate, and eventually received his Ph.D. in Contemporary Art Studies with apto cum laude from Universidad de Castilla la Mancha, Spain.

 

Huang started working as an executive editor for Hot Art Monthly in Kaohsiung in 1994. Because of his editorial work at the magazine, he continued to have opportunities to publish photography series, such as Culturalize Love Canal and Bodies of the Studio. In August, 1995, he moved to Tainan and became the person in charge of Tainan Contemporary Painting Studio as well as a contributing writer for Hot Art Monthly in Tainan. In 1996, he won the Innovative Ceramics Prize with the work, South‧The Urn of Sima, in the 1st Taipei County Ceramic Art Exhibition, and participated in the exhibition, Tainan—Phenomenon, with other Tainan artists at Wu's Garden in Tainan. It was during this period that he began to contemplate on the combination of contemporary art and the ancient city as well as urban observation. Afterwards, he worked for New Art Space in Tainan as a writer and coordinator, starting his field observation and exploration of local cultural affairs after he moved to Tainan. During his time at New Art Space, he organized and coordinated the Tainan Film Festival and Environmental Art Festival—Thoughts about the Canal, and assisted to curate Phoenix 1000—Reconstructing the City of Phoenix. In March, 1997, he won the First Prize of Kaohsiung Award with the work, The Incomprehensible Cranial Nerve. In June of the same year, he traveled to Boston, USA to participated in A Tale of Two Cities: Interchange Program of Contemporary Art Between Tainan and Boston—Phase I, and worked as a project manager and writer for the program.

 

In 1998, Huang transformed his role in a challenging way, hoping to change his work from an administrative position of project coordination and textual documentation to an observer and artist that focused on exploring and discovering more future possibilities. The reason he initiated this change was because he has always been making art and paying attention to the relationship between art-making and urban observation. He understood that whether writing, image documentation, or one's creative language all came from the "originality" in human civilization and the historic city he lived in, which could also be found in his own artistic thinking. To observe the city and discover the remnants of urban civilization was the most significant topic that promised most potentiality for him. In April, 1998, he was awarded a grant by the National Culture and Arts Foundation, which enabled him to realize the solo exhibition, A Traveler Reaching a Beautiful City—A-Fu Solo Exhibition, at New Art Space in Tainan; and later, in October, he was awarded with "The Vermont Studio Center Freeman Fellowship" and started a three-month artist residency in the US.

 

In 1999, Huang began studying at the Graduate School of Fine Arts, Tunghai University while continuing to present solo exhibitions, including One Beer Costs NT$500—A-Fu Solo Exhibition in 2000 and The Flaneur—A-Fu Solo Exhibition in 2001. In 2003, after Chaos Underworld—A-Fu Solo Exhibition at SinPinPier Art Space, he started studying in Spain, and was accepted into the Ph.D. program of Universidad de Castilla-La Mancha, specializing in contemporary art studies.

 

In 2007, he passed the dissertation defense for Ph.D. candidacy with notable grades and received the DEA. During his study in Spain, Huang focused on the academic research and study of document aesthetics in contemporary art as well as the documentary and artistic characteristics of photographic documents. He also continuously published articles related to these topics in art magazines and journals, such as Artco, Artist, Journal of Taipei Fine Arts Museum, etc. In 2011, he was offered a position of lecturer at the Department of Fine Arts, Tainan University of Technology; and in July, 2012, he successfully received the Ph.D. degree in Contemporary Art Studies from Universidad de Castilla-La Mancha.

 

In 2013, Huang resumed his artistic creation, which had been suspended for a decade while he pursued an academic career. Since then, he has continued in paying attention to the topic of "the society of spectacles" that involves issues of social phenomenon, environmental landscape, and urban aesthetics. Through his exploration, he has hoped to expand his interpretation of contemporary social culture and aesthetic study through the power of art. His creative work and thinking during this period also emphasized on the spectacles in the everyday life as well as contradictions and tension regarding the meaning of life precipitated by the society of spectacles. With artistic works based on this concept, Huang was accepted by the 7th International Residency Program hosted by Shangyuan Art Museum in Beijing in 2014 as well as the International Artist-in-Residency Program hosted by Inside-Out Art Museum in Beijing, China. During the contemplative time in Beijing, he has created a series of new works after eleven years, which he entitled, City Story Series. He was invited to show this series in the thematic section, "Representing Society," in Yes, Taiwan: 2014 Taiwan Biennial organized by National Taiwan Museum of Fine Arts. 

 

 

中文簡介

學經歷：

  1.  1992   台中東海大學美術系畢業

  2.  1994   南方藝術雜誌執行編輯

  3.  1995   台南當代繪畫工作室負責人、南方藝術雜誌台南特約撰述

  4.  1996   台南新生態藝術環境活動策劃人

  5.  1998   美國佛蒙特藝術基金會（Vermont Studio Center）亞洲藝術家工作室獎助  計畫

  6.  2001   台中東海大學美術系研究所藝術學碩士

  7.  2002   台南女子技術學院美術系兼任講師

  8.  2003   留學西班牙

  9.  2007   西班牙國立Castilla la Mancha大學當代藝術研究博士候選人(DEA文憑)

  10.  2011  台南應用科技大學美術系專任講師

  11.  2012  西班牙國立Castilla la Mancha大學當代藝術研究博士(PH.D)

  12.  台南應用科技大學美術系專任助理教授

 

策展及聯展：

  1.  1992   臺北伊通公園（IT PARK)「物體藝術」聯展

  2.  1994   發表「文化愛河」「畫室人體」攝影系列作品  南方藝術雜誌 

  3.  1996   第一屆臺北縣陶藝美展陶藝新域獎    臺北縣立文化中心

  4.  1996「台南--現象」展     台南市舊社教館（吳園藝文館）

  5.  1997   第十四屆高雄市美術展覽會高雄獎首獎      高雄市立美術館

  6.  1997雙城記---台南v.s波士頓當代藝術交流計畫  協助策劃執行

  7.  1997開放展—吳園藝文館

  8.  1998   輻源與界線—台南原型藝術空間開幕聯展     臺灣省美術季—藝術再塑‧文  化出航  帝門藝術教育基金會  

  9.  1999  「1999關於空間系列I—空間塗鴉」吳園地下室空間展演計畫 策展  人 Making Wave水波再興----1998雙城記  台南v.s波士頓當代藝術交流創作團  

  10.  2000   關於藝術的原型—台南原型藝術空間開幕聯展

  11.  

    2014   北京上苑藝術館歷屆駐館藝術家精品展之 2014  上苑藝術館  中國北京

               台灣美術雙年展：台灣報到YES, TAIWAN  國立台灣美術館  台中

    2015  「逝覺城市物語」 醉美藝術空間  台南

    2016  「藍底帕斯鳥Landipass Fly」 公18-2局部環狀埤塘燈區作品  2016月津港燈節  台南

                時代的位移(Transition of Times)-高雄獎20年  高雄市立美術館  高雄


     

個展：

  1.  1992   東海大學實習畫廊------阿福人體素描個展

  2.  1998   旅人抵達一個美麗的城市—1998阿俘個展   新生態藝術環境

  3.  1998   蝴蝶夢----美國佛蒙特藝術中心（Vermont Studio Center）

  4.  1999   關於空間系列II—防空洞   1999阿俘個展   吳園藝文館地下室

  5. 2000   一瓶啤酒500元  2000阿俘個展  夜間臺灣私立美術館  台中

  6. 2000   戰士無用 2001阿俘個展 東海大學美術系畫廊 台中

  7. 2003  「寂寂－殘缺物　語」　2003 阿俘個展　新浜碼頭　高雄

  8.  

    2016  奇觀城市物語--影像拼貼繪畫研究展  津夫個展  好思當代  台北

    2017   奇觀城市物語：影像改變的世界  津夫個展  東門美術館  台南


     

 獲獎紀錄：

  1.  1996   第一屆臺北縣陶藝美展陶藝新域獎    臺北縣立文化中心

  2.  1997   第十四屆高雄市美術展覽會高雄獎首獎      高雄市立美術館

  3.  1997   國家文藝基金會97年第二期個展發表補助計畫

  4.  1998   美國佛蒙特藝術基金會（Vermont Studio Center）亞洲藝術家工作室獎

  5.  1998   國家文藝基金會98年第二期個人創作補助計畫

 

 

駐村計畫：

 

1998   蝴蝶夢----美國佛蒙特藝術中心（Vermont Studio Center）  美國

2014   北京上苑藝術館《2014年第七屆國際創作計畫》 中國北京

           北京Inside-Out中間美術館國際駐村計畫   中國北京

 

策展經歷：

1996 「藝術家電影節」 新生態藝術環境  策展人

1997  雙城記--台南v.s波士頓當代藝術交流計畫  策劃執行助理

1997 「環境藝術節-關於運河的遐思」 新生態藝術環境  策展人

1997  「鳳凰1000-重建鳳凰城」 台南市二十一世紀都市發展協會  新生態藝術環境  策劃執行助理

1999 「1999關於空間系列I-空間塗鴉」吳園地下室空間展演計畫  策展人 

2015   「逝覺城市物語」 醉美藝術空間  台南  策展人


 

典藏作品：

  1.  1997   作品「無法解讀的腦神經線」   高雄市立美術館典藏

  2.  1998   作品「吃山頭系列3—畫面一角」   高雄市立美術館典藏

 

演講：

  1. 2009/11/8   影像美學的文件化過程--當代紀錄文件展演方式  高師大跨領域研究所

      

學術研討會：

  1.  2012/05/29   「創作與實踐  藝術與現實」

  2.  台南應用科技大學2012美術創作論壇研討會     協同計劃主持人

 

座談會：

  1.  2012/10/20    黃建樺個展《雜碎寓言》

  2.  藝術家對談 黃津夫V.S. 黃建樺   B.B.ART. 台南

 

學位論文：

  1.  2001/05/25   台中東海大學美術研究所碩士論文   關於「遊蕩者」----從邊緣批判到停頓世界

  2.  2012/07/09   西班牙國立Castilla la Mancha大學當代藝術研究博士論文   La perspectiva del arte documento con el diálogo entre testimonio realy    concepto artístico, y sus usos en el campo del arte contemporáneo     「文件美學：介於真實見證與觀念藝術之間的辯證，及其在當代藝術的運用」 

         

文章發表：

  1.  1994/11 南方藝術雜誌創刊號 pp48-49： 暴力美學──文化大學學生抗爭行動記實報導

  2.  1994/12南方藝術雜誌 No.2, pp60-63：選舉畸觀

  3.  1995/01南方藝術雜誌 No.3, pp44-53：邊緣藝術專輯：

  4.  一個空間的死亡與生存──從「2號公寓」到「新樂園」

  5.  顛覆的島嶼邊緣──與〝島邊〞(倒邊)對話

  6.  有尊嚴的台灣音樂──音樂是來自台灣人心底的聲音

  7.  台灣「真實」電影的獨行俠──「寶島大夢」導演黃明川

  8.  1995/03南方藝術雜誌 No.5, pp62-68：美術節在台灣

  9.  1995/05南方藝術雜誌 No.7, pp43-47：屬於你我的公眾藝術

  10.  1995/07南方藝術雜誌 No.9, pp24-31：研討，是為了走更對的路──高美館1995  公眾藝術國際學術研討會

  11.  1995/09南方藝術雜誌 No.11, pp22-26： 宗教藝術節──普渡的裝置，鬼月的藝術

  12.                                                 pp33-36：哀悼延平──別矣！延平老街

  13.  1996/02-03南方藝術雜誌No.16, pp68-72： 台灣60年代的歐布澤Object藝術──談南台灣早期物體藝術家劉鍾珣

  14.  1996/05-06南方藝術雜誌No.17, pp30-34： 竹坡仔林內的醉客──林鴻文

  15.  1996 台南市立文化中心季刊 No.11, pp4-10：公共藝術的環境思考

  16.  1996 新新聞491期：「台南現象」再利用，兩百歲老「吳園」重生

  17.  1997/08 炎黃藝術：1997雙城記—台南 波士頓當代文化交流計畫  「以文化古都之名 行藝術之實」 

  18.  1997 TAINAN-BOSTON CULTURAL EXCHANGE  Statement of Exchange by Representatives of Two Cities

  19.  1998/11/22 自立晚報：關於1998臺灣省美術季—「藝術再塑 文化出航」  現代古城之迷茫與記憶---兼談當代藝術裏的地域性格

  20.  1999/04 藝術新聞雜誌：「關於空間系列1—空間塗鴉」 1999台南吳園藝文館地下室空間展演計畫  New Space Art In Regard To The Old Space

  21.  2003/01 「當代藝術風：文建會文化環境年專輯3」pp.32-39： 現代古城的迷茫--從文化事件談台南當代文化藝術概況

  22.  2006/07 典藏今藝術No.166, pp.100-103：「紀錄文件行為的回溯與省思」---從  La Caixa藝術基金會戴安‧阿布啟示錄 (Diane Arbus    Revelaciones)談

  23.  2006/08 典藏今藝術No.167, pp.120-123： 「政治性藝術文件的智慧」----哈特費爾的政治性攝影蒙太奇

  24. 2007/02 典藏今藝術No.173, pp.90-93：   科技藝術的觀測站----西班牙希宏(GIJÓN)當代科技藝術展(O.O.H. 06)

  25. 2007/04 典藏今藝術No.175, pp.154-156：   真的眼見為憑？──封庫貝爾塔(Joan Foncuberta)的「偽證」攝影藝術

  26. 2007/08 藝術家雜誌No.387, pp.316-321:    當影像成為文件──從第五十二屆威尼斯雙年展看攝影美學的紀錄文件化

  27. 2008/02 藝術家雜誌 No.393, pp.242-245:    當代影像的生命政治力量--里歐‧法拉利之「野蠻文明的表徵」

  28. 2008/11 台北市立美術館  現代美術學報16, pp11-36:   影像美學的文件化過程—以第五十二屆威尼斯雙年展紀錄影像作品為例

  29. 2010/04台北市立美術館  現代美術學報19, pp59-84:   當紀錄影像成為文件檔案─當代影像紀錄態度的轉變與其差異性目的

 

專業領域 (教學範圍)：

    (美學理論部分)

  1. 西方現代藝術理論：現代主義繪畫、達達主義、前衛藝術、行為藝術、觀念藝術  等二十世紀初中期西方藝術運動。

  2. 當代藝術研究：跨領域藝術、後現代藝術思潮、科技數位藝術等自二十世紀末期   盛行至今的當代藝術思潮與美學建構。

  3. 紀實攝影美學：攝影歷史、報導攝影、文件檔案美學、當代攝影美學思潮。

 

    (繪畫技巧部份)

  1. 素描、水彩、油畫、創意表現、多媒材創作、攝影蒙太奇、影像創作。

 

 

西班牙證書中文翻譯

 

西班牙Castilla-La Mancha 卡斯提亞拉曼恰大學

博士班後研究文憑 / 證書

(Certificado /Diploma de Estudios Avanzados de Doctorado)

黃金福 HUANG CHIN-FU

 

            學號/護照：X200923144，1969年6月10日出生於臺灣，國籍：中國，2001年6月16日臺灣東海大學藝術碩士學位，以外國學生學歷已通過卡斯提亞拉曼恰大學美術系當代藝術研究(9935)博士班之高等教育課程及研究階段，並獲得具整體性研究能力之評定(APTO)，於2006年12月12日頒予繪畫知識領域博士候選人/具資格研究學者(SUFICIENCIA INVESTIGADORA)。

 

     此文憑/證書符合1998年4月30日頒佈之「王室法令」778號第6章第一節之條文，同意授予通過其具資格研究學者及其它現行有效之權利。

2006年12月21日，於「王室之城」

 

卡斯提亞拉曼恰大學博士班委員會主席

Prof. Dr. D. Miguel Angel Collado Yurrita

 

卡斯提亞拉曼恰大學校長

Prof. Dr. D. Juan Ramón de Páramo Argüelles

 

 

 

 

 

博士班成績單中文翻譯

 

  

成績證明

西班牙卡斯提亞拉曼恰(Castilla-La Mancha)大學美術系

西班牙卡斯提亞拉曼恰(Castilla-La Mancha)大學美術系系主任 Javier Ariza Pomareta 博士，以此份文件證明以下事項：

 

        本系所博士班研究生 黃金福 (HUANG CHIN-FU)，已研習完成2004/05年〝當代藝術與研究〞博士班研究課程階段的24個必修學術學分，並獲得以下成績證明：

 

‧觀念藝術.........................................優等

‧當代雕塑媒材研究....................................特優等

‧科技藝術與網路...................................優等

‧美術搜集研究之領域.............................特優等

‧面對全球化藝術現象及效應之文化策略...............特優等

‧行為藝術...........................................優等

‧視覺藝術導讀...................................優等

‧藝術作品之概念與步驟...........................優等

 

(譯注：西班牙學校成績計分標準為：1~4 不及格 SUSPENDER，5~6 及格佳等 APROBADO，7~8 優等 NOTABLE，9~10 特優等 SOBRESALIENTE)

 

    以此成績檔核准及同意其已通過教學研習階段，並可繼續實踐下一階段的博士論文研究工作。

     

    此份證明為親筆簽署檔於：

    2005年 9 月 27 日 於 Cuenca市

    美術系主任

    Javier Ariza Pomareta

 

 

 

黃津夫個人代表性學術著作發表

  1. 2008/11 台北市立美術館  現代美術學報16, pp11-36:

  2. 影像美學的文件化過程—以第五十二屆威尼斯雙年展紀錄影像作品為例

  3. 2010/04台北市立美術館  現代美術學報19, pp59-84:

  4. 當紀錄影像成為文件檔案─當代影像紀錄態度的轉變與其差異性目的

 

Education and academics:

 

1988-1992: Department of Fine Arts, University Tung-Hai, Taichong, Taiwan.

1998-2001: Postgraduate in Department Fine Arts, University Tung-Hai, Taichong, Taiwan. (MFA)

2003-2008: Diploma de Estudios Avanzados de Doctorado en el programa de Doctorado (DEA): Arte Contemporáneo e 

                 Investigación, Departamento de Arte, Universidad de Castilla La Mancha, Cuenca, España (Spain).

2009: Lecturer in Department Fine Arts, Tainan University of Technolog.

2012: Doctor (Ph.D) in Departamento de Arte, Universidad de Castilla La Mancha, Cuenca, España (Spain).

2012: Assistant profesor in Department Fine Arts, Tainan University of Technolog.

 

Experience

 

1994: Reporter of magazine "Hot Art".

1995: Professor in the Studio of Contemporary Art, Tainan.

1996-1998: Coordinator in the gallery New Art Space, Tainan.    

1997: First Award of the art competition 1997, Kaohsiung, Kaohsiung Museum of FineArts. "A Tale of Two Cities"

        ---Interchange of Contemporary Art between Tainan and Boston, U.S.A., Assistant Curator.

1998: "The Vermont Studio Center Freeman Fellowship 1998-1999 Winner", U.S.A. (Artist in Residency)

2005-2006: Foreign correspondent of magazine "ARTCO".

 

EXPOSITIONES

 

1992: Exposition "Objeto", IT PARK gallery, Taipei.

1994: Exposition "Culturalize Love Cannel", "Bodies of The Studio", magazine "Hot Art", Kaohsiung.

1996: Exposition of ceramics in the first exhibition, Cultural Center of Taipei county.

         Exposition of multimedia art in the second exhibition, Cultural Center of Tainan

"1996 Tainan phenomenon", Wu’s Garden, Tainan.

Festival of art movies, New Art Space, Tainan.

1997: Festival of earth art, New Art Space, Tainan.

          Award of the art competition 1997, Kaohsiung---Kaohsiung museum of fine arts.

         "1997 A Tale of Two Cities"---Interchange of Contemporary Art between Tainan and Boston, U.S.A.

          1997 Open Exhibition, Wu’s Garden, Tainan.

1998: Taiwan art station: "Reconstitute art", Education social center of Tainan.

1999: "1999 About the space I", Wu’s Garden, Tainan.

Making Wave---1998 A Tale of Two Cities: Interchange of Contemporary Art between Tainan and Boston, An-pin beach, Tainan.

2000: "Art prototype", Prototype gallery, Tainan.

 

PERSONAL EXHIBITION

 

1992: "Bodies of The Studio", The gallery of university Tung-Hai.

1998: "A traveller reaching a beautiful city"---1998 Solo exhibition A-Fu, New Art Space, Tainan.

1998: "The butterfly's dream", Vermont Studio Center, U.S.A.

1999: "1999 About the space II: Solo exhibition A-Fu", Wu’s Garden, Tainan.

2000: "One beer NT$500---2000 Solo exhibition A-Fu, Art pub gallery, Taichong.

2001: "The flaneur", 2001 Solo exhibition A-Fu, Art center of University Tung-Hai, Taichong.

2003: "Chaos underworld"---2003 Solo exhibition A-Fu, Absolutely Spp Art Space, Kaohsiung.

 

COLLECTION WORKS

 

1997: "The imcomprehensible cranial nerve", Kaohsiung museum of fine arts.

1998: "Trace of the change from green to gray-3", Kaohsiung museum of fine arts.

 

CURRENT ARTICLES (2006-2010)

 

2010: "When documentary image become to archival document: The transformation of

         documentary attitude of contemporary image and his different object", Journal of

         Taipei Fine Arts Museum, No.19, Nov, pp.59-84.

2008: "The documentary process of the photographic image: Using the works of

         documentary image in 52ª Biennale di Venezia as the example", Journal of Taipei

         Fine Arts Museum, No.16, Nov, pp.11-36.

2007: "The biopolitical power in the contemporary image— About "The symbols of

          advanced barbarity" of León Ferrari (The winner of the 52ª Venice Biennale

          Golden Lion)", Art Magazine No.391, Taipei, pp.242-245.

         "When image becomes document", Art Magazine No.387, Taipei, pp.316-321.

         "Pseud-document: The "falsos testigos" of Joan Foncuberta", ARTCO No.175,Taipei, pp.154-156.

         "O.O.H.06 (Observatorio Orbital de lo Humano) in Gijón, Spain", ARTCO No.173, Taipei, pp.90-93. 

2006: "The power of political art document: the photomontage of John Heartfield", ARTCO No.167, Taipei, pp.120-123.

         "The reflection of documentary act: Diane Arbus Revelaciones in fundación La Caixa", ARTCO No.166, Taipei,

          pp.100-103.